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| Recording information Eareye Studios Miami FL Mad Studio Miami FL Noisematch Studios Miami FL Soundworks Recording Studio New York NY The Hit Factory-Criteria Miami FL Like clockwork Spanish superstar Alejandro Sanz has been releasing a new studio album every three years for the past fifteen 2012 s La M amp pound sica No Se Toca is the successor to 2009 s Para so Express and it introduces one significant change in Sanz s career namely that he changed records labels after spending more than 20 years with Warner Bros ever since his 1990 solo debut Viviendo Deprisa Sanz s switching allegiance to Universal may have to do with the fact that in times of decreasing record sales and mounting competition at home from all those Operaci amp cent n Triunfo young alumni his last two albums did not perform as well as expected Perhaps for the same reason this time around Sanz refrains from the genre experiments and high-profile duos of No Es Lo Mismo El Tren de Los Momentos or Para so Express which included stabs at reggaeton some political content and guests such as Calle 13 Shakira Alicia Keys Juanes Man or Carlos Baute Instead he prefers to play to his strengths and deliver a collection that makes sure to touch all the bases of his now patented singing and songwriting style This includes plenty of romantic ballads Mi Marciana Para Decirle Adi amp cent s and midtempo numbers with a slight flamenco groove Me Sumerjo Camino de Rosas all armed with rousing choruses and defiantly sung in his trademark rootsy Andalusian voice Both leading singles No Me Compares automatically nominated in two Latin Grammy categories upon its release and Se Vende are good examples of Sanz s approach to La M amp pound sica No Se Toca but in truth almost any song could have been chosen instead as they are largely cut from the same cloth The only exceptions are the few uptempo selections thrown in to stir things up like the opener La M amp pound sica no Se Toca which promises a |
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